Casio PX-S1100: full specification | Keys | 88, fully weighted |
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| Key action | Smart Scaled Hammer Action |
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| Sound engine | Morphing AiR, 192-note polyphony |
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| Speakers | 2 x 8 W (16 W total) |
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| Voices | 18 |
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| Bluetooth | Audio (via adaptor) |
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| Weight | 11.2 kg |
| Price | £599 |
| Cabinet depth | 23.2 cm |
| Battery option | 6 x AA, around 4 hours |
Who is the Casio PX-S1100 for?
The PX-S1100 is built for the player who is short on space or who needs to move the piano around. At just 23.2 cm deep it sits against a wall or on a narrow desk where a bulkier piano would not fit, and at 11.2 kg it is the lightest fully weighted unit here by a clear margin, beating even the 11.4 kg Korg B2 and the 11.5 kg Yamaha P-145. Add the 6-AA battery option and it becomes a true take-anywhere instrument for a busker, a peripatetic teacher or a student in a small flat. It is less ideal for someone who wants the biggest sound in a large room, where the 22 W Roland or 40 W Kawai pull ahead.
Best for: the space-conscious player who wants real weighted keys, portability and battery power, and the best overall instrument for the money.
How the Casio PX-S1100 performs
The key action
Casio's Smart Scaled Hammer Action is the engineering trick that lets the cabinet be so slim, and it works far better than its compact size suggests. It is a genuinely weighted hammer bed, graded so the bass keys press heavier than the treble, with simulated ebony and ivory key tops that grip well over a long session. Across scales and a Debussy prelude it stayed even, and the only tell that you are not on a full-depth action is a slightly shorter pivot length, which experienced players may notice but beginners will not. It is a touch behind the Roland and Kawai for outright depth, but ahead of anything else at the price.
The sound
The Multi-dimensional Morphing AiR engine drives a grand voice that is one of the highlights of the test. Casio sampled a full concert grand at multiple dynamic levels, and the result is a tone that opens up as you dig in and softens as you ease off, with damper resonance that adds body when you hold the pedal. The 192-note polyphony is generous, enough to sustain dense, pedalled passages without dropping notes, and the 18-voice list covers electric pianos, strings and organs that are all usable rather than novelties.
The speakers
The twin 8 W drivers give 16 W total. That is the second-lowest figure in our six, ahead only of the 14 W Yamaha, and it tells you exactly where this piano belongs: in a bedroom, a study or a flat rather than a large open-plan living room. In a 12 to 16 m² room it sounds full and clear; push it in a bigger space and you will want the line output to powered speakers, or simply slip on headphones, which it does superbly through its 3.5 mm socket.
Portability and build
This is the PX-S1100's party piece. It is 23.2 cm deep, 11.2 kg, and runs on six AA batteries for around four hours, so you can genuinely pick it up and play in the garden or take it to a rehearsal with no mains lead. The cabinet feels solid for its weight, the touch-sensitive control panel keeps the surface clean, and Bluetooth audio (via the optional adaptor) lets you stream music through the speakers. The flush touch controls take a session or two to learn, which is our one mild gripe.
The honest downsides
Two things hold the Casio just behind the Roland. The 16 W speakers are noticeably quieter, so in a big room it needs help, and the flat, touch-sensitive control buttons are less intuitive than physical ones, especially in low light. The compact action, while excellent, is also a fraction shallower than a full-size bed, which the most advanced players might feel. None of these is a deal-breaker, and for most buyers the slim cabinet and battery power more than make up for them.